"My camera is like a time machine” confessed Hiroshi Sugimoto, the Japanese photographer, who, since the 1970s, has been radically rethinking and expanding the medium. Known for creating large-format, black-and-white images, Sugimoto’s works appear to freeze time as a means to investigate humanity in a deeper, metaphysical sense. In his own words, his work is an attempt to capture “the essence of time itself”...

Read the full interview with curator Ralph Rugoff on AnOther Magazine.